Justin Chang
Justin Chang is a film critic for The New Yorker and NPR's Fresh Air. He previously served as film critic at the Los Angeles Times and chief film critic at Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and is a member of the New York Film Festival selection committee. He teaches at the Annenberg School for Communication and Journalism at the University of Southern California. He won the Pulitzer Prize for Criticism in 2024 for his work at the Los Angeles Times.
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NAZA is an acronym for nezek agavi, Hebrew for "collateral damage." It refers to the number of civilian casualties the Israeli military deems acceptable. The documentary is made by Israeli filmmakers.
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A new art-house drama tells three stories that span the century — and connect to one tree. Silent Friend will open your eyes to the beauty of the natural world.
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Martin Scorsese's film, based on David Grann's book, tells the true story of white men in the 1920s who married into and systematically murdered Osage families to gain claims to their oil-rich land.
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Two childhood sweethearts reconnect decades later in this thoughtful film. You've seen the more conventional romantic-triangle version of this story — but there are no heroes and no villains here.
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This smartly entertaining new movie tells the story of how the BlackBerry became the hottest personal handheld device on the market — only to get crushed by the iPhone.
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Avatar: The Way of Water may not be one of the best movies of the year, but it is one of the best movie-going experiences of the year. (Think: Jacques Cousteau on shrooms.)
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A woman with agoraphobia becomes embroiled in her neighbor's drama in a new thriller based on Dan Mallory's novel. Adams is very good — but the movie doesn't prove entirely worthy of her.
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A young man from Mumbai aspires to be a great classical singer — but he's an erratic performer at best. The Disciple is a richly layered story of artistic struggle.
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A priest loses his faith. A woman breaks the heel of her shoe. A couple visits their child's grave. Life unfolds as a series of stylized, bone-dry comic sketches in Roy Andersson's sublime new film.
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The brutal and mesmerizing new film takes place in South Africa in 1981, where 16-year-old Nicholas is coming to grips with his homosexuality in an environment that couldn't be more hostile to it.